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Destined to become a new classic' Chris KrausA dazzlingly original reassessment of women's stories, bodies and art - and how we think about them.For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it?Exploring the ways in which feminist artists have t...

The story of two couples who live in the same apartment in north-east Paris at different times.In 2019, Anna, a psychoanalyst, is processing a recent miscarriage. Her husband, David, takes a job in London so she spends days obsessing over renovating the kitchen while befriending a younger woman called Clémentine who has moved into the building and is part of a radical feminist collective called les colleuses.Meanwhile, in 1972, Florence and He...

A transformative feminist intervention in the way we think about women's stories and bodies.Coming across the term "art monster" in Jenny Offill's 2014 novel Dept. of Speculation, Lauren Elkin was intrigued. What kinds of connections might there be between art and monstrosity, and how was it different when the artist in question was a woman?Art Monsters is a landmark feminist intervention in the way we think about women's stories and bodies, c...

Destined to become a new classic'A dazzlingly original reassessment of women's stories, bodies and art - and how we think about them.For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it?Exploring the ways in which feminist artists have taken up this...

. Ein Liebesbrief an Paris und eine Meditation darüber, wie es sich in zwei Jahrzehnten verändert hat - von der Autorin von »Flâneuse: Frauen erobern die Stadt« Als Flâneuse feierte Lauren Elkin die Spaziergängerin in der Stadt und zeigte, wie das ziellose Flanieren durch New York, Tokio, Venedig - vor allem aber Paris - die Seele belebt und den Geist fokussiert. In ihrem neuen Buch »Nr. 91/92« wird sie mit einem in iPhone-Notizen geschrieb...

Best-selling author of Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London joins the bus commuter crowds in this love letter to Paris, written in iPhone notes.

Bestselling author of Flaneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London, joins the crowds commuting by bus in the city of love. Written in iPhone notes and inspired by Perec and Ernaux, this chronicle of the everyday in a year marked by terrorism and her loss of a pregnancy is also a love letter to Paris on the bus.

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Die Flâneuse - Virginia Woolf in London ist eine von ihnen, Jean Rhys in Paris, Holly Golightly in New York. Sie alle erobern sich selbstbewusst Städte, Menschen und Gedanken. Sie sind neugierig, klug und unabhängig, reisen, wohin sie wollen und genießen die Freiheit der Großstadt. Die Autorin und Essayistin Lauren Elkin folgt den Spuren außergewöhnlicher flanierender Frauen, indem sie selbst durch das heutige Paris, New York, London, Venedig ...

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Elkin creates a mosaic of what urban settings have meant to women, charting through literature, art, history, and film the sometimes exhilarating, sometimes fraught relationship that women have with the metropolis.

Elkin creates a mosaic of what urban settings have meant to women, charting through literature, art, history, and film the sometimes exhilarating, sometimes fraught relationship that women have with the metropolis.

Part cultural meander, part memoir, Flâneuse traces the relationship between singular women and their cities as a way to map her own life.

As The Oulipo enters its sixth decade, its members, fans and critics are wondering: where can it go from here? ,

Selected as Book of the Year by the "Financial Times, Guardian, New Statesman" and the "Observer", amongst others, this title combines part memoir and part cultural meander, as it follows the lives of wandering women. 'An uplifting, genre-bending critique of how women negotiate public space' Deborah Levy, "Guardian

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